Archive

Unboxing the Medium at FOE4

I’m doing a bit of catch-up here as I’ve launched a new series and moved to another country since I experienced this incredible MIT conference, so please bear with me, my lovelies, as I marry the signal-gaps and blog my way back to the present:

This past November, I was a speaker at the Converge Culture Consortium at MIT’s Futures of Entertainment 4 conference, taking part on the “Unboxing the Medium” panel discussion. Here’s the panel description with embedded video below:

What counts as “radio” when it comes via podcast rather than over the air? How do we create “television” as the limitations of spectrum scarcity slip away and content is delivered online?

Media is determined by conventions that emerge from both technological constraints and cultural practices – the technologies of content delivery shape the industrial and the creative modes that define something like “television.” In a world of convergence, the basis for many of the conventions that define media are in flux. How can we come to understand and redefine the industrial, consumption and creative practices of media as convergence works to erode some of the distinctions between them?

How is radio affected once it moves from the Hertzian waves to the podcast? What happens to the comic once it moves from the page to a Playstation? How are audiences responding to and shaping these shifts? And how are business models adapting to these changes?

Moderated by Joshua Green – Research Manager, Convergence Culture Consortium

Dan Goldman – Illustrator of Shooting War
Jennifer Holt – UC Santa Barbara, co-editor of Media Industries (Wiley-Blackwell)
Brian Larkin – Milbank Barnard College
Avner Ronen – CEO & Co-founder, Boxee

You can watch videos of the entire FOE4 conference now here.

Radar Features RLP

The fine folks at the Radar project dedicated a full episode of this season to myself and Red Light Properties, making a short film about how I create this new work at this particular turning point in my life/career.

And if you’re not already reading RLP, the first page is right here.

You can also check out the rest of Radar’s well-done arts series on Babelgum.

RLP Week 03

The third installment of RED LIGHT PROPERTIES just went live on Tor.com, where we get to spend some solo time with Jude Tobin and secretary/ghost photog Zoya Pashenko. You can check it out here:

Or you can start the series from the beginning.

RLP Week 02

Our story opens up in the second installment of RED LIGHT PROPERTIES, online now at Tor.com:

Red Light Properties Launches

My new series RLP launched this morning on Tor.com, and the first episode is a double-length hit-the-ground-running affair. The series starts today and runs every Tuesday for the next six months, but since you’re reading this now, you can sneer and say you were there since the beginning:

Enjoy the first hit; I’ll see you again on Tuesday.

RLP Services Available

RLP launches on Tor.com this Tuesday, January 5th.

Red Light Properties

Back in 2001, I was living in this cheap-ass house on a not-yet-gentrified street in Brooklyn with my brother, where we’d built a creative space upstairs to dream up many wonderful comic ideas together. There was another resident though; I could feel him in the twilight hours when I was sliding towards sleep, lurking around and watching. After a few months of catching someone out of the corner of my eye from the drafting table, I asked some “lifers” on our street about our house’s previous residents. Annette-from-a-few-doors-down told me that back in the ’80s there was an artist couple there, and that Charlie, a middle-aged painter, died in the upstairs bedroom (mine), and his wife moved out shortly after.

Charlie’s name immediately sank into my subconscious like an anchor. A few weeks later, I was snoring on my futon when Charlie leaned into my head and introduced himself properly with a “hello” that came from between my eyes and sounded as though it was played through blown speakers/eardrums. I sat up bolt-upright; of course the room was empty, but my sweat was cold. I went downstairs, heart racing, to the kitchen and poured myself a glass of water from the kitchen sink… and by the time the water reached my stomach, there was something else there. A cast of characters, years of history, echoes of terrible things in the walls of buildings, and a realty office named RED LIGHT PROPERTIES.

RED LIGHT PROPERTIES tells the story of a small Miami Beach real estate office that lists and exorcises haunted houses and connects them with foreclosure victims in need of an affordable place to live. The first book in a series, RLP has been my nearest and dearest baby since it appeared in my belly after that cold glass of water eight years ago… and it’s something I’ve been exercising/exorcising myself towards since then, waiting for the right time to turn it loose.

Well honeys, that time is nearly here. On Tuesday, January 5th, RED LIGHT PROPERTIES debuts on the one of my favorite homes for original comics, Tor.com. I’ll be serializing the entire story online for free, doing 8 pages each week for six months, with a print collection waiting patiently on the other side of the rainbow.

Follow me at @dddangoldmannn for updates and secret treats as we get closer to January 5th.

Hedgies Unhinged

I’m sitting in the crowd at MIT right now at the Futures of Entertainment 4 conference, but I juuuuust had to ping you about a piece in this week’s NY Magazine I’ve done.

FYI I finished some color illustrations yesterday for next week’s issue; more on that later.

Miami Book Fair 2009

As a guest of this year’s Miami Book Fair International, I’m doing a closed-session talk on my experiences and techniques with publishing comics online (you can still register here) and then sharing the stage with two dear Joshes I know talking about our politically-themed books, all part of the Fair’s increasingly-impressive Comic Galaxy program:

Friday, Nov. 13, Session 2B (1:00–1:50 p.m.)
Room 7128 (Building 7, 1st Floor)

Creating Web Comics: The New Sunday Funnies with Dan Goldman, Comics Creator
Before the birth of the Internet, comics artists had very few outlets where they could effectively promote their work. The Sunday funny pages were the ultimate sign of success, but to get there, one had to work hard to get exposure via underground papers, free papers or even self-publishing. The Web has flung the doors open to reveal a global audience of readers hungry for comics of all shapes and sizes, styles and genres. Dan Goldman discusses the various aspects of creating web comics, such as creating memorable characters and series, ways to move seamlessly between digital and print, what makes a web comic successful online and how to market your own.
NOTE: THIS TALK IS FREE BUT YOU NEED TO REGISTER FIRST

Saturday, Nov. 14, 11:30 a.m.
Centre Gallery (Building 1, 3rd Floor, Room 1365)

Panel Discussion: Dan Goldman on 08: A Graphic Diary of the Campaign Trail, Josh Neufeld, on A.D.: New Orleans After the Deluge and Joshua Dysart on Unknown Soldier
THIS PANEL IS OPEN TO THE PUBLIC

Right after arriving back in South Florida, I was also profiled for the Miami New Times, where I got to talk about my Miami-based new series RED LIGHT PROPERTIES that launches on January 5:

If you’re in Miami and would like to meet up, please drop me a line and come introduce yourself at the events. It’s always a pleasure to meet you other-side-of-the-screen cats in person.

Sea of Perotistas

I did the Intelligencer lead illustration for this week’s New York magazine, about Obama’s relationship with independent voters and what he can do to sway them: